Harpy’s already taken on festival fields and pushed the limits of experimental goth-industrial-power-electronica, but now? Goth Metal Mommy’s embodying all seven sins in style. ‘VII’ takes in a sin with each track, and fans of blasphemy should get on their knees and rejoice; danceable electro-obscenity has never sounded quite so appealing. If you aren’t already a paid-up member of Harpy’s cult, you probably will be by the end of ‘VII’.
Clocking in at under twenty five minutes ,’VII’ straddles the line between EP and album, and half the tracks were already contained on her ‘Call Me Mommy’ single. Let’s call this a “statement compilation” instead, the musical equivalent of a massive punk necklace that you’ve never quite been brave enough to wear out yet. ‘VII’ is also a very intentional journey through the underworld, front loaded with the bangers. ‘Inferno’ is dark pop gold, full of promise and menace, before we get onto the terrifying seduction of ‘Last Time’ and ‘Call Me…
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